A honeycombed sheet of metal stands in front of the barn like a stubborn tree. Inspired by the honeycombed circular voids on a salvaged metal sheet, a leftover from an industrial process, Davingy created Holy Green. Its circular cut outs, originally engineered as negative space, now read as stylized foliage high atop a tall, enamel‑brown beam that evokes the trunk of a modern art tree. Painted a vivid green and mounted at an angle, the work holds a sense of kinetic momentum. The shadows created by the pierced metal are equally interesting, changing throughout the day and seasons. The work plays with scale and memory, transforming industrial refuse into a whimsical form while retaining the grit and weight of its origins.